United Players Of Vancouver

THE TRIP TO BOUNTIFUL

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SEASON PLAYS

By Horton Foote
Directed by Ron Reed

80-year-old Carrie plans to escape her son and his authoritarian wife, and return to Bountiful, Texas, her idealized hometown. With a new friend she plans her getaway, but alas, home isn’t as she remembers. A masterpiece about memory and the universal yearning for home.
“I’ve never been more deeply moved by a theatrical experience of any kind” – Wall Street Journal

Dates: March 22 – April 14, 2024
Times: Thurs-Sat evenings at 8:00 pm, Sun matinee at 2:00 pm
Preview: March 21 ($15.00)
Opening: March 22
Talkbacks: Thursday, March 28 and Sunday, March 31
Matinées: All Sundays (March 24, 31, April 7, 14)

Runtime: approx. 2 hours & 5 minutes, including a 15-minute intermission.

This show is no longer available. Thank you for joining us!

Artist’s Salon: Friday, April 5th 6:30-7:15 pm, before the evening performance.
Join us in the lobby to meet the artist Barbara Jost.
For more information, please contact Lynna Goldhar Smith.

Barb Jost is an award-winning artist currently living in Vancouver, and is a member of the Vancouver Art Guild. Barb is primarily a plein air painter working mostly in oils and gouache. She exhibits in shows around Vancouver and online. Barb paints in the Impressionist style, having found her love of painting from the Old Master Impressionist painters.

 

THE TRIP TO BOUNTIFUL

by Horton Foote

DIRECTED BY
Ron Reed

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Carrie Watts – Erla Faye Forsyth*
Ludie Watts – Richard Meen*
Jessie Mae Watts – Kapila Regoǂ
Thelma – Cassie Unger
Houston Ticket Agent 1 – Braedon Grover Sunnes
Houston Ticket Agent 2 – David Underhill
Harrison Station Agent
– Stephen Elcheshen
Sheriff – Oliver de la Harpe
Travellers – Courtney Klassen, Mercedes Lovemore, Courtney Vandiver, Melanie Vizuete

~~~~~

Producer – Linda Begg
Technical Director – Leighton Taylor
Set Design – Hans Saefkow
Head Carpenter – Bruce Suttie
Lighting Design – Mark Carter
Sound Design – Rick Colhoun
Costume Design – Rosie Aiken
Stage Manager – Maddy Woodley
Assistant Stage Managers – Czarina Agustines, Zoe Larson, Jenny Min, Coco Zhou
Photography – Nancy Caldwell
Programme Design – Susan Mellor
Programme Editor – Fran Burnside
Publicist – Joan Bryans

~~~~~

*Appearing by permission of Canadian Actors’ Equity Association.
ǂ The participation of Kapila Rego is arranged by permission of Canadian Actors’ Equity Association.

SAFETY PLAN

COVID-19 SAFETY MEASURES: United Players has a strict Communicable Diseases Plan in place, which you can find here. Updates will be made throughout the season as needed. We rely on everyone to help us protect community health and safety – some principle points include:

• Please stay home if you are ill.
• United Players acknowledges that mask-wearing is a personal choice.

We continue to work to make your visit a safe and enjoyable one. If you have any questions or suggestions for improvement, please reach out at safety@unitedplayers.com.

THE PLAYWRIGHT

Horton Foote

Horton Foote, in full Albert Horton Foote, (born March 14, 1916, Wharton, Texas, U.S.— died March 4, 2009, Hartford, Connecticut), American playwright and screenwriter who evoked American life in beautifully observed minimal stories and was perhaps best known for his adaptation of To Kill a Mockingbird.

Foote studied acting at the Pasadena Playhouse in California and in New York City. His first two plays, Wharton Dance (1940) and Texas Town (1941), were staged by the American Actors’ Company in New York City. Foote’s best-known original work, The Trip to Bountiful, was written as a television play and broadcast in 1953; later that year it was staged on Broadway, and in 1985 it was produced as a film, for which Foote also wrote the Academy Award-nominated screenplay. His 1954 play The Travelling Lady, with his screenplay, became the film Baby, the Rain Must Fall in 1965. Foote also wrote an acclaimed series of nine plays about rural Texas, The Orphans’ Home Cycle; these include Valentine’s Day (1980), 1918 (1982), and The Widow Claire (1986). His low-key but insightful play The Young Man from Atlanta (1994) won the Pulitzer Prize.

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